Ole gelder konstnär

Dutch painter

Aert^[a] de Gelder (Dutch:[ˈaːr(d)dəˈɣɛldər]^ⓘ; October 26, – August 27, ) was a Dutch painter, the only Dutch artist to paint in the tradition of Rembrandt's late style into the 18th century.^[1]

Biography

De Gelder was born and died in Dordrecht. He was one of Rembrandt’s last pupils while in Amsterdam, studying in his studio from to His paintings include The Baptism of Christ and Ahimelech Giving the Sword of Goliath to David.

Works

• Esther and Mordecai (Budapest, Museum of Fine Arts}
• Judah and Tamar, c. (Vienna, Gemäldegalerie of the Academy of Fine Arts)
• King David, c. (Amsterdam, Rijksmuseum, inv A )
• The Toilet of Esther, c. (Munich, Alte Pinakothek )
• Portrait of Tsar Peter the Great (Amsterdam, Rijksmuseum?)
• Self Portrait as Zeuxis (Frankfurt am Main, Städel, inv. no. ))
• Passion Series c. (22 paintings, including ten in Aschaffenburg, Schloss Johannisburg, and two in Amsterdam, Rijksmuseum)
• Portrait of Hermannus Boerhaave with his wife and daughter, c. (Amsterdam, Rijksmuseum, inv A )
• The Marriage Contract, c. (Brighton Museum & Art Gallery)
• Simeon
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Aert de Gelder

Autoretrat (després del , 79 x 64 cm, l'Ermitage)

Upload mediaDate of birth26 October
DordrechtDate of death27 August , 25 August
DordrechtCountry of citizenshipOccupationFatherMotherWork locationNotable work

• Judah and Tamar
• Courtyard of a temple
• The arrest of Christ

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Aert de Gelder began his studies as a painter in the studio of Samuel van Hoogstraten in his native city of Dordrecht. Around he moved to Amsterdam to complete his training in Rembrandt’s studio. He was the last of Rembrandt’s pupils, remaining with him for two years, after which he returned to Dordrecht and lived there for the rest of his life. From his early years Aert de Gelder was considered to be Rembrandt’s best and most direct följare but he has also been seen as an eccentric figure as he was the only artist to continue to work in Rembrandt’s style until well into the 18^th century. His works are clearly inspired by those of his master, for example the Ecce Homo (Staatliche Kunstsammlung, Dresden) of , which is a variant on Rembrandt’s etching on that subject, or Abraham and the Angels (Boijmans- Van Beuningen Museum, Rotterdam), which was for many years considered to be bygd Rembrandt han själv . Nonetheless, it is primarily in Aert de Gelder’s technique that Rembrandt’s influence is most evident and most long lasting. dem Gelder’s brushstrokes are broad and heavily charged, with the pigment often applied with the finger or a spatula to achieve different textures. The ar